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DTSTART;TZID=America/Los_Angeles:20211101T180000
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SUMMARY:Archaeology Research Support Workshop
DESCRIPTION:Over Zoom
URL:https://ioa.pre2.ss.ucla.edu/event/archaeology-research-support-workshop/
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20211106T110000
DTEND;TZID=America/Los_Angeles:20211106T120000
DTSTAMP:20260422T014915
CREATED:20230314T002904Z
LAST-MODIFIED:20230314T002904Z
UID:56-1636196400-1636200000@ioa.pre2.ss.ucla.edu
SUMMARY:The Joys and Blunders of 25 Years of Work at the 9000 Year-old Town of Çatalhöyük
DESCRIPTION:The Teen Friends of Archaeology is excited to invite you to a lecture on the extensive site of Çatalhöyük by Dr. Ian Hodder:The joys and blunders of 25 years of work at the 9000 year-old town of ÇatalhöyükRegister at https://bit.ly/3BBWF0NIan Hodder is the Dunlevie Family Professor in the Department of Anthropology at Stanford\, and Director of the Stanford Archaeology Center. He previously taught in the Cambridge Archaeology department. Professor Hodder has also been conducting the excavation of the 9\,000 year-old Neolithic site of Çatalhöyük in central Turkey since 1993. He is a well-published author who is known for his numerous books and papers on a wide variety of archaeological subjects. Photos by Jason Quinlan\, courtesy of the Çatalhöyük Research Project.
URL:https://ioa.pre2.ss.ucla.edu/event/the-joys-and-blunders-of-25-years-of-work-at-the-9000-year-old-town-of-catalhoyuk/
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20211112T110000
DTEND;TZID=America/Los_Angeles:20211112T110000
DTSTAMP:20260422T014915
CREATED:20211113T012857Z
LAST-MODIFIED:20230314T045237Z
UID:55-1636714800-1636714800@ioa.pre2.ss.ucla.edu
SUMMARY:Benin Royal Art and Questions of Restitution
DESCRIPTION:Dr. Glenn WhartonChair\, UCLA/Getty Program in the Conservation of Cultural Heritageinvites you to attendUCLA/Getty Program’s Distinguished Speaker SeriesfeaturingDr. Ndubuisi EzeluombaFrançoise Billion Richardson Curator of African ArtNew Orleans Museum of ArtFriday\, November 12\, 2021 at 11:00am PDTLive streaming via ZoomRegister hereInstructions to join the webinar will be provided once your registrationhas been confirmed.Please submit your questions in advance of the webinar via email to:hnadworny@support.ucla.edu by Wednesday\, November 10 at 12:00 p.m.About the program: Dr. Ezeluoma will discuss the restitution of Benin cultural patrimony. In 1897\, the British government acted on a request from the Royal Niger Company to remove the Benin Oba (king)\, who was seen as an obstacle to trade. A British force of about twelve hundred men supported by several hundred African auxiliaries besieged Benin City. The raid (British Punitive Expedition)\, as the colonial force was called\, bombarded the city and looted five hundred years’ worth of bronze\, brass and ivory sculptures. This was a national treasure that constituted the royal archive of Benin’s history. Oba Ovonramwen (ruled 1888-1914) was deposed and sent to die in exile and the Benin kingdom was incorporated into the colonial nation of Nigeria. Conversation on the repatriation of this cultural patrimony rages on today. Dr. Ezeluona will point to current progress and speak to the important role American cultural institutions are playing in the process.
URL:https://ioa.pre2.ss.ucla.edu/event/benin-royal-art-and-questions-of-restitution/
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DTSTART;TZID=America/Los_Angeles:20211119T110000
DTEND;TZID=America/Los_Angeles:20211119T120000
DTSTAMP:20260422T014915
CREATED:20230314T002854Z
LAST-MODIFIED:20230314T002854Z
UID:54-1637319600-1637323200@ioa.pre2.ss.ucla.edu
SUMMARY:Buddhist Wall Paintings in Ladakh – Painting Technique\, Conservation and Ethical Considerations
DESCRIPTION:Sreekumar MenonPaintings Conservator\, (Partner) Art Conservation SolutionsRegister hereWall paintings in Ladakh\, the earliest specimens of which date from the eleventh century\, mirror the development of Buddhism and Buddhist Art in the region.The materials and technique of these paintings\,and their iconographic schemes\, are complex and have transformed overtime. Many of these paintings have undergone damages due to various intrinsic and or extrinsic factors. Their conservation is a challenge\, especially when they are housed in structures that are still being used by the religious community. A wholistic study of these paintings is vital to better-understand their original technologies\, and prevent the inadvertent loss of original materials during conservation interventions.This talk intends to discuss the painting technique of the early period wall paintings of Ladakh\, their significance\, and ethical issues involved while dealing with their conservation.Sreekumar Menon is a paintings conservator based in India. He did his Master’s in art conservation from the National Museum Institute\, New Delhi before undertaking internships in paintings conservation at the Indian National Trust for Art and Cultural Heritage(INTACH)\, New Delhi\, Hamilton Kerr Institute\, Cambridge and Stichting Restauratie Atelier Limburg(SRAL)\, The Netherlands. He is currently his completing PhD at the Courtauld Institute of Art\, London. As a partner inthe firm Art Conservation Solutions\, Sreekumar has managed and executed various conservation projects in India. He also worked with the Courtauld Institute of Art in wall painting conservation projects in India and Bhutanand has been a programme manager of the Leon Levy Foundation Centre for Conservation Studies at Nagaur\, India from 2015-2019.Sreekumar is a fellow of the International Institute for Conservation of Historic and Artistic Works (IIC)and a guest lecturer to leading conservation programmes in India.
URL:https://ioa.pre2.ss.ucla.edu/event/buddhist-wall-paintings-in-ladakh-painting-technique-conservation-and-ethical-considerations/
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